Symphony 8

Anton Bruckner (4 September 1824 – 11 October 1896) was an Austrian composer known for his symphonies, masses, and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length.Bruckner’s compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies.

Symphony No. 8 in C minor, WAB 108
1890 Version
Dedicated to Franz Josef I., Kaiser von Österreich

I. Allegro moderato
II. Scherzo. Allegro moderato; Trio. Langsam (14:07)
III. Adagio. Feierlich langsam, doch nicht schleppend (27:46)
IV. Finale. Feierlich, nicht schnell (53:09)

Royal Concertgebouw Orchestra conducted by Bernard Haitink

Symphony No. 8 in C minor is the last symphony the composer completed. It exists in two major versions of 1887 and 1890. It was premiered under conductor Hans Richter in 1892 in Vienna. It is dedicated to the Emperor Franz Joseph I of Austria.

This symphony is sometimes nicknamed The Apocalyptic, but this was not a name Bruckner gave to the work himself.

Bruckner began work on the Eighth Symphony in July 1884. Working mainly during the summer vacations from his duties at the University of Vienna and the Vienna Conservatory, the composer had all four movements completed in draft form by August 1885. The orchestration of the work took Bruckner until April 1887 to complete: during this stage of composition the order of the inner movements was reversed, leaving the scherzo second and the Adagio as the third movement.

In September 1887 Bruckner had the score copied and sent to conductor Hermann Levi. Levi was one of Bruckner’s closest collaborators, having given a performance of the Seventh Symphony in Munich that was « the greatest triumph Bruckner had yet experienced ». He had also arranged for Bruckner’s career to be supported in other ways, including financial assistance from the nobility, and an honorary doctorate from the University of Vienna. However the conductor wrote back to Bruckner that:

I find it impossible to perform the Eighth in its current form. I just can’t make it my own! As much as the themes are magnificent and direct, their working-out seems to me dubious; indeed, I consider the orchestration quite impossible… Don’t lose your courage, take another look at your work, talk it over with your friends, with Schalk, maybe a reworking can achieve something.
By January 1888 Bruckner had come to agree with Levi that the symphony would benefit from further work. He began work on the revision in March 1889 and completed the new version of the symphony in March 1890. Once the revision was completed, the composer wrote to Emperor Franz Josef I for permission to dedicate the symphony to him. The emperor accepted Bruckner’s request and also offered to help pay for the work’s publication.] Bruckner had some trouble finding a publisher for the work, but in late 1890 the Haslinger-Schlesinger-Lienau company agreed to undertake publication. Bruckner’s associates Josef Schalk and Max von Oberleithner assisted with the publication process: Schalk prepared the musical text to be sent to the printer while Oberleithner corrected the proofs and also provided financial support. The symphony was eventually published in March 1892. It was the only one of Bruckner’s symphonies to be published before its first performance.